English Corpus

Most beginning guitar players start with a rather inexpensive instrument. They usually have a mass production clone of a Fender Stratocaster or a Gibson Les Paul. The most popular clones are made overseas by Gibson and Fender themselves through the Epiphone and Squier lines. These are built to the same specs as the American made models. They are decent instruments in their own right but they can be improved greatly with just a pickup replacement. As long as the neck is straight and the tuning pegs are fairly tight, this is often all you need to upgrade to a pro sound.

Iv’e modified several Mexican made Stratocasters and I’ll take you through the process. The first thing you want to decide on is what kind of sound you’re looking for. Replacement pickups are available with a lot of variety in sound output. I like to use Seymour Duncan pickups because they have proven to be of high quality and reliability. They also have a good selection and have a CD of sound samples you can listen to. Most dealers have the CD’s and you can also listen to the samples online. Choose your replacement pickups and you’re ready to upgrade.

You’ll need several things for the job. A good stable workbench or table, with plenty of room to lay your tools out, makes things much easier. Here’s a list of what you need: 1.screwdriver set, both flat head and philips 2.soldering iron 3.solder 4.new set of strings 5.wire cutters/strippers

The first thing you need to do is remove your guitar strings. I usually leave the low E-string on to keep a little tension on the neck. Next remove the pickguard cover. Make sure you save all the screws in a cup as they are small and get lost easily. After you remove the screws you should be able to lift up on it and slide it off under the E-string. You should now see your three pickups and the wiring thats attached to them.

The new pickups come with a wiring diagram that is color coded but take a good look at each pickup before you replace it in case something isn’t quite right with the color code. It’s important that you replace one pickup at a time so as not to mix up the bridge, middle and neck pickups.

Heat up your soldering iron. Remove the first pickup. I usually start with the neck pickup. Cut and strip the wires according to the instructions and solder the wires to the new ones. Repeat the process for the other two. Not too bad, huh?

When you replace the cover/pickguard, be careful not to overtighten the screws or they might get stripped. Now would be a good time to clean the guitar before you put the new strings on.

Replace and tune the strings and plug in. You’ll be pleased with the results. I have several of these upgraded strats for the price of one expensive one and more versatilty with different pickup sounds. You can do the same thing with an Epiphone Les Paul to produce a sound that rivals the Gibson for about a third of the price. Now you can spend more money on all the cool effects gadgets. Have fun and keep practicing.

Guitar Emporium

John is one of the webmasters at: The Guitar Emporium

Submitted with Article Distributor.

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Directory enquiries has historically till date been unarguably, listed amongst the most helpful and useful consumer services ever conceived of. Quite simply scooping up the phone to ask for a persons address or the phone number when you didn’t have the necessary phone directory about your person has been a great boon for us in times of dire information necessity.

Then again, as time passed and directory enquiries became ever more popular, we found that we spent additional time sitting put on hold and putting up with ads instead of the alternative, acquiring the data which we required “easy & fast”. Quite obviously, this was the specific function directory enquiries are supposed to do. As a result, a good number of us commenced scanning for alternative ways and means. Even so, there was still nothing that was anywhere near as good till the advent of on line directory enquiries. Online directory enquiries are not just more effective than standard call in directories, they are clearly a great deal better. Never tried an online directory enquiries service before? It couldn’t be simpler with 118 118.

The most frequently used online directory enquiries offer their services free of charge. There are absolutely no joining charges and absolutly no annoying listening to adverts. Hence on-line directories are obviously “free” & ‘easy to use”. On-line directory enquiries are there to function for you 365 days a year. You are able to quite simply search for and open an online directory enquiry and search for your old uni acquaintances handset number at half past three in the morning.

On-line directory enquiries let you determine info about a great number of vital things. United Kingdom directory enquiry services can provide you with bus timetables & significantly aid you in your task of locating trains from destination to source. You could additionally need to find out about the new movies being shown at the moment in your closest cinema hall, no matter where exactly you live in the UK. Of course, searching for organisations and their telephone numbers is a slice of the pie and the very best function is that you of course get to find out individuals phone numbers. Every piece of this useful information is instantly available at your PC with on line business directories. There are also absolutly no engaged phone lines, certainly no irritated operators, non-functional machines or slow adverts to listen to. So log on and enjoy!

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To avoid any sort of injuries when playing guitar a common sense approach is recommended. Just what do I mean by that?

Well, there are many simple and obvious precautions you can take that will prevent most injuries.

To start with you can adopt the proper technique, posture and hand position.

A good book like Scott Tenant’s Pumping Nylon or David Braid’s Play Classical Guitar can give you sound basic fundamentals in this area.

With technique keep your movements simple or, as my teacher used to say… “Employ an economy of movement.”

If you have less movement you will naturally have less friction and tension and therefore less chance of injury.

Teachers of guitar vary in their interpretation of posture and hand position but in classical guitar at least, there is generally widely accepted agreement on this subject.

You do need to be aware of your posture and hand position when a beginner or intermediate as you are learning habits that will last a lifetime.

I remember my teacher constantly pushing my shoulder down as I played. As I became tense my shoulder would “ride” upwards as my body would tense up.

He was giving me vital feedback on leaning to relax as I was learning basic technique.

It pays to have a good, alert teacher who can short circuit any problems as they appear!

Another point of note is when you begin to play guitar you can often overdo it.

Indeed, Anthony Glise writing in Classical Guitar Pedagogy states…

“Virtually all guitarists injuries are from over-use (simply practicing too much) or misuse (not warming up properly), playing pieces that are too difficult, improper hand positions, overstress, etc.”

These are all things that the beginner and intermediate player are prone to.

You must develop your capabilities in line with your common sense and resist the urge to go “too fast too soon.”

To quote the cliché…”You gotta crawl before you walk!”:)

While we’re on the subject of common sense, you need to take breaks in your practice routine.

You know how time flies when you’re engrossed in a new and exciting piece. We all have the tendency to play through the pain at times but you must learn to avoid this sort of practice if you want to avoid long term injury. It might be wiser to break your practice sessions into smaller blocks and spread it out over the day rather than all in one hit.

I know we’re all “time-poor” these days but is it worth the risk?

Only you can answer that one.

Make sure you build strength and flexibility in your hands and indeed, your body.

You can do this via a healthy lifestyle that consists of diet, stretching (including yoga), meditation and just plain relaxing and taking a break.

If you do all of this and find your still in pain - STOP!

As they say on the advertisement for a prominent pain reliever… “Pain is nature’s warning.”

If you find you get long term pain, use your common sense again and seek proper medical advice. To play through pain is downright silly.

I hope this brief discussion can give you some direction in this area.

Trevor Maurice is an Australian, living in beautiful seaside Maroubra, in the eastern suburbs of Sydney.

He’s been involved in playing guitar (mainly classical) for longer than he cares to remember and has also taught the instrument for many years. He is teacher trained, having a Diploma of Education (Majoring in music)

He has also taught Primary (Elementary) school for many years and had a long-held dream to build a quality website for the classical guitar that is of use to anyone even slightly interested in this beautiful instrument. He has now made that dream a reality with the highly rated…

http://www.learnclassicalguitar.com/index.html

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Is debt consolidation the most fitting financial solution for me? Now that we’re in a recession (according to the Ernst & Young ITEM Club Autumn forecast), there’s a real need for persons with financial problems to understand what is different between debt consolidation loans and the various other debt solutions available - and understand which one could be perfect for them at a time like this.

Firstly, it depends on future events. In a recession, it’s more likely than usual to be bad news - when consumer spending lowers and companies lose money, many firms will make people redundant in order to stop the business going under. For anyone who’s pretty sure their company could well be making redundancies, consolidating their debts may not be the best idea.

Why is that? One of debt consolidation’s best benefits is the ability to reduce a persons monthly debt repayments. Consolidating debt has a bigger impact when the individuals financial situation is reasonably stable: when they know how much they’re making and how much they’re spending each month, they can then figure out the perfect way of repaying their debt.

So an individual facing the prospect of unemployment might be better off looking into debt management, rather than consolidating their debts. Debt management gives a flexible approach to debt: borrowers are allowed to ask debt management experts to talk to their creditors on their behalf, asking them to think about accepting reduced monthly payments, remove charges and/or freeze interest.

Individual Voluntary Arrangements take a lot of commitment and can require homeowners to free up some of the equity tied up in their house. Borrowers are required to commit to making fixed monthly payments for (most of the time) six years, based on the maximum they are able to afford once they have taken their needed monthly costs into account. Even so, an IVA (Individual Voluntary Arrangement) might make a huge difference - for people whose debts have slowly become out of control, as well as people facing a quick drop in their earnings. Of course, Individual Voluntary Arrangements do require a level of financial stability: if the individual doesn’t feel they could commit to five years of regular payments, an Individual Voluntary Arrangement may not be the best debt solution for them.

Discover more about debt consolidation, debt management & IVAs here.

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Playing the Modes

When I used to use this pack with students, I provided them with a CD which contained a backing track for each of the modes. This enabled them to practive getting the sounds and shapes under their fingers. In this version you will be provided with the harmonised scale for each mode, and from this you can construct your own grooves and backing tracks to do the same thing. I am assuming that you know, or can easily work out the names of the notes on the neck so the scale maps you will be presented are not anchored in any one place on the neck. Once you know where the root note is for each scale you can then move that note to suit whatever scale you want to play. Please note that some of the modes are for different scales, but this is only so that you don’t learn everything in C, but do try to get used to using other root notes.

The Ionian Mode
As we have already discussed, the Ionian mode is the major scale, so anything that you know about the major scale, you know about the Ionian mode. We have looked at the structure of the scale, which hopefully was familiar, and the next thing we’ll consider is what chords you can build on the major scale. I am going to assume that this is something you know and that it won’t come as a surprise that if we take the C Ionian scale, and build 7th chords on each scale degree, we will get the following chords

C Major 7

D Minor 7

E Minor 7

F Major 7

G Dominant 7

A Minor 7

B Minor 7 flat 5

These chords are constructed from the notes contained within the C Ionian scale, so the C Ionian will fit over any of these chords. Now, this is technically true, but as you will know from your playing, some notes work better than others, and for some people’s ears. You can also play the arpeggios of these chords.

The Dorian Mode
As you will know from the previous discussion of theory, C Dorian differs from C Ionian by having the third and seventh of the scale flattened, thus, C Dorian consists of:

C D Eb F G A Bb

The seventh chords built upon these notes are as follows;

C Minor 7

D Mionr 7

Eb Major 7

F Dominant 7

G Minor 7

A Minor 7 flat 5

Bb Minor 7

To play something a little more familiar you can also use the C Minor pentatonic as this is using notes which are in the C Dorian scale, namely,

C, Eb, F, G, A, and Bb.

The Phrygian Mode
You can use the previous theoretical discussion to work out how the G Phrygian differs from G Ionian. Just to recap, G Ionian consists of the notes G, A, B, C, D, E, and F#. The Phrygian mode differs from the Ionian by the second, third, sixth, and seventh degrees of the Ionian scale being flattened. So, G Phrygian consists of:

G Ab Bb C D Eb F

The seventh chords built upon these notes are as follows:

G Minor 7

Ab Major 7

Bb Dominant 7

C Minor 7

D Minor 7 flat 5

Eb Major 7

F Minor 7

Along with these you can interweave the arpeggios and the G Minor pentatonic is made up of notes from the G Phrygian scale, so you can use that too.

The Lydian Mode
You should be able to work out how G Lydian will differ from G Ionian. Remember that the Lydian has a 4th degree which is sharpened, and the 4th degree of G Ionian is C, thus, G Lydian consists of the following notes.

G A B C# D E F#

The seventh chords built upon this scale are:

G Major 7

A Dominant 7

B Minor 7

C# Minor 7 flat 5

D Major 7

E Minor 7

F# Minor 7

You can also use the various arpeggios and the G Major pentatonic in this situation.

The Mixolydian Mode
You should be able to work out how G Mixolydian will differ from G Ionian. Remember that the Mixolydian has a 7th degree which is flattened, and the 7th degree of G Ionian is F#, thus, G Mixolydian consists of the following notes.

G A B C D E F

The seventh chords built upon this scale are:

G Dominant 7

A Minor 7

B Minor 7 flat 5

C Major 7

D Minor 7

E Minor 7

F Major 7

You can also use the various arpeggios and the G Major pentatonic in this situation.

The Aeolian Mode
You should be able to work out how B Aeolian will differ from B Ionian. Remember that the Aeolian has third, sixth and 7th degrees which are flattened, and the third, sixth and 7th degrees of B Ionian are D#, G#, and A# thus, B Aeolian consists of the following notes.

B C# D E F# G A

The seventh chords built upon this scale are:

B Minor 7

C# Minor 7 flat 5

D Major 7

E Minor 7

F# Minor 7

G Major 7

A Dominant 7

You can also use the various arpeggios and the B Minor pentatonic in this situation.

The Locrian Mode
You should be able to work out how B Locrian will differ from B Ionian. Remember that the Locrian has third, sixth and 7th degrees which are flattened, and the second, third, fifth, sixth and 7th degrees of B Ionian are C#, D#, F#, G#, and A# thus, B Locrian consists of the following notes.

B C D E F G A

The Locrian is interesting because it is actually a half-diminished scale.

The seventh chords built upon this scale are:

B Minor 7 flat 5

C Major 7

D Minor 7

E Minor 7

F Major 7

G Dominant 7

A Minor 7

You can also use the various arpeggios and the G Major pentatonic in this situation.

Epilogue
The study of the guitar is a lifetime’s work, and even then you won’t know everything, won’t be able to play everything, and still have skills that you could develop further. There’s nothing wrong with that as you don’t need to have a perfect understanding of anything to be able to be creative and skilled. Part of the enjoyment is the journey, the process of learning. Hopefully this handbook has provided you with the tools to start your exploration of the modes, and with the knowledge contained herein you can go off and build further tools which let you express yourself as you want to. Good luck.

Simon duff

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Having been a guitar player for over 20 years, I am often amazed at the number of guitarists that have never taken the time to learn the notes on their fretboard. I have met guitar players that gig on a regular basis, and yet are unable to find a C# on the 3rd string, an A natural on the 4th string or an F natural on any string! Little do they know that by learning this one simple thing, their playing and enjoyment of the instrument will increase ten fold!

It was while studying at the Guitar Institute in London that I first realised that many players do not develop this part of their playing. This realisation prompted me to want to find a way that guitar players could learn this simple thing with the minimum of effort. Some of them could play every guitar solo Jimi Hendrix recorded, yet couldn’t name one single note!

My feeling was that most guitar players just didn’t want to spend time on something that they felt wouldn’t benefit them that much. Unless their practice time resulted in them learning a flash guitar lick they just didn’t want to know. Always one for a challenge, I decided it was my duty to show these poor souls the light. How would I do that?

I decided to use my good friend, Paul, as a guinea pig. Although he played quite well, he, like countless others, hadn’t learnt his fretboard. I asked him why. His reply went something like this: “Why would I want to spend time learning the notes on the fretboard when I could be working on a Jimi Hendrix solo? No, it’s not for me, it just seems like so much effort for nothing. I’d rather learn a new chord shape or a hot guitar lick. I honestly don’t see the point.”

Paul’s response was pretty much the same as the other people I asked. “Waste of time,” one said. “I’ll probably get round to it one day,” chirped another. Little did any of these people know, familiarising themselves with their fretboard would not only improve their guitar playing it would DRAMATICALLY improve their musicianship!! I set to work on Paul.

I wrote out a diagram of the fretboard with 12 frets and 6 strings. I then wrote in all the notes and handed it to Paul. “What do you want me to do with this?” he asked. “I want you to learn it,” I replied. “Take it home, study it, and then let me give you a test.” He wasn’t overly keen on doing this, but I managed to persuade him. I gave him two weeks to learn it all. He placed the sheet into his guitar case and took it away with him.

It was actually three weeks later that I next saw Paul. “How did you get on with the fretboard study,?” I asked him. “Ok,” he replied. “Right, let me test you.” Paul took out his guitar and placed it on his knee. “Ok, an easy one to start. Show me an A on the 6th string.” Paul thought for approx 15 to 20 seconds and then successfully placed his finger on the 5th fret. I congratulated him, “Well done” Let’s try another. Show me where to find an E flat on the 3rd string.” Paul’s face sank. He thought about it, and then he thought some more, and then, he played me……F sharp! I was disappointed. “Wrong! Let’s try another one. How about D on the 2nd string?” This is quite an easy one, but once again, after some thought, Paul failed to find D. “Ok, a C natural on the 3rd sring.” Once again Paul couldn’t do it. I asked him why. “Well, I did try, but it is just too mind numbingly boring. It’ll take ages for me to learn the whole neck,” Paul complained. Now I couldn’t let this go. It wasn’t a light hearted challenge any more. Paul was going to learn the fretboard whether he liked it or not.

I set to work on an instructional booklet that would make learning the fretboard easy and fun. I also knew that I had to make it motivational and inspiring. I worked hard typing up the study. In 5 days I had a rough copy. I printed it off and took it round to Paul’s house. “Not again,” muttered Paul when I handed him the booklet. “Just humour me, and give it one more go,” I pleaded. He reluctantly agreed. I didn’t want to push my luck too much, so I quickly left and wished him well.

Four days later there was a loud knock on my front door. “Ok, ok,” I yelled as I rushed to answer it. As I pulled open the door, I found an extremely excited Paul with his guitar case in hand. “Test me again,” he demanded. He pushed past me to the living room and opened up his case. “Go on, ask me any note on any string.” I sat down and called out G flat on the 3rd string. The words had no sooner left my lips when Paul was on the 11th fret playing me the requested note. “And another,” my friend requested confidently. “Ok, C sharp same string.” Paul played the C sharp. I then asked for a D on the 1st string, an F sharp on the 2nd, a C on the 4th. Paul played each one without any hesitation. “What do you think about that?” he asked smugly. Oh no, I thought, I had created a monster!!!!

Paul then went on to play notes all over the neck, calling them out as they sounded. I couldn’t believe it, I knew my fretboard study was good but I didn’t expect these results. Paul was delighted. He thanked me for the study, and also for encouraging him to master his fretboard. He said he now knew what I had meant when I told him how much this knowledge would improve his playing. “That study is dynamite,” he told me. Maybe he had a point.

Now, a few years down the line, I realise just how true Paul’s words were. The study IS dynamite. I have used it with many of my students and they have all reported results that are equally as impressive as Paul’s. After much encouragement from my students and friends, I have now decided to make it available worldwide. For the small price of £5.00 (five pounds), you too can experience what Paul did all those years ago, and also what countless other people are experiencing today. If you are serious about being a guitar player you really need to know your fretboard. Visit our website at www.jack-sky.com for your copy of this great ebook. You will not be disappointed.

Improve today - Grab the Fretboard Master!

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Time for the world’s best music player to take the stage for another encore. In 30GB and 60GB(1) models that hold up to 15,000(2) songs, full-color album art and up to 25,000 photos(3), the new iPod makes the most of your music and more. Yeah, you’ve heard that tune before. Only now, you can watch it, too. With support for up to 150 hours(4) of video and a 2.5-inch color display, the new iPod lets you take music videos and TV shows on the road.

Learn more about the Video Ipod.

The new iPod boasts up to 20 hours of battery life(5), five hours more than before. Plus, you get a bigger display and one more iPod color — sleek black. But here’s the kicker: At under half an inch thin, the new 30GB iPod takes up about 45 percent less room than the original iPod. Even the new 60GB model is 10 percent thinner than the fourth-generation 20GB iPod. More features in less space? Sounds like iPod.

Click here to get a Free Ipod.

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Do you wish for DVD quality; yet miss your old video recorder’s (VCR’s) capacity to tape your favourite drama TV programmes? Well, you are equipped to have the best of both with a Digital Versatile Disc (more regularly known as a DVD) recorder, as to its neat taping preferences as well as its DVD terrific audio & image.

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Digital Versatile Disc Recorders have never been so inexpensive to acquire. In reality, costs are dropping so swiftly that getting rid of that old Video Cassette Recorder (VCR) and swapping over to DVD or HDD recording makes understandable sense. Nevertheless, it is a market ruled by technology & innovation & thus means product features are altering each & every day. Prices slashed on all DVD recorders at Digital Direct!

If you are confused with the differentiation between DVD-R, DVD-RAM and DVD+RW, we also supply you with a clear breakdown of the formats available to buy - which makes are following them and what the most up-to-date improvements are.

Pioneer produces a series of Digital Versatile Disc recorders, a few of which have HDD capability; permitting you to tape several hours of TV prior to transferring them on to Digital Versatile Disc when desired. Pioneer also creates a range of great DVD players & DVD home cinema systems including HDMI compatible makes.

Pioneer is a universally recognised television and hi-fi business that caters for the home, car, multimedia & DJ product industries. Pioneer began as Fukuin Shokai Denki in Tokyo in 1938. The company originally began life building speakers then later swapped its name to Pioneer in nineteen sixty-one. It has since initiated a selection of firsts onto the market, which includes the world’s first GPS car navigation gadget in nineteen ninety and the first ever DVD recorder in nineteen ninety nine.

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At this moment you can check out rates of interest quickly on the internet and check if there are possible traps you should know about. A merchant bank in Harrisburg Pennsylvania or so may have a total different actual rate for a 12500 dollar loan then a bank in Bountiful Utah and that makes a vast clear gap in your weekly costs. Inspect to see if the moneylender who is tending to give you a loan is secure. That’s why now you really need to check into and project if you can have a credit loan at a just percent interest rate. 11.3 percent rate of interest may come along so reasonable but will it stay immutable after you’re going to pay back your credit loan.

Translated in Dutch: Woon je in Langedijk of Vianen en heb je BKR. Lenen met en BKR codering is nergens zo eenvoudig. Koop een andere woning met negatieve bkr notering, 283008 euro is gewoon mogelijk om te lenen. Van De Wolden tot Raalte, financieren met een BKR notering is hier geen enkel probleem.

Be impudent today to check out if you have a nice deal or if you don’t with the moneylender that offers you a bank loan. It makes no difference if you live in La Crosse Wisconsin or in Bowling Green Kentucky a dependable online examination will scavenge you often lots of disoblige. Many of the moneylenders wil show you a loan rate that looks serious but feels severely or so after some time.

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There is something about a professional recording engineer grabbing the faders of his console and going to work that just seams to blow away what the average home recording guy can do. Why can’t you get the same sound in the your home studio mixes? Let’s see why.

I get emails from bands all the time who attempted to record their band on a Roland recorder. Sometimes the sound quality of their home tracking isn’t all that bad. Some bands need to take more time to get the performances they are looking for. If each member of the band sounds good, the tracking should go pretty smoothly. This is why I always recommend that a professional mixes any project that means anything to the artist. Mixing is a tough thing to master. It takes years and years and years to even get started. It takes even more years to become great at it. There are a number factors that separate that average band recording their own record with the a real mixer.

A professional mixer has a total understanding of equalization. He/she knows that to expect when he reaches for a parametric eq. He’ll come pretty close to finding the exact frequency just by listening. He/she has used his parametric eq so many times that he knows exactly what it will sound like when you grabs that eq. I know 90% of the time that if I’m mixing a metal band, I’ll need to cut out 300 Hz out of the kick drum. I’ll listen for about 2 seconds just to make sure, but I immediately know that the kick drums typically found in metal music have a certain sound that requires eq. This is normal. I’ve heard many home recordings where it was obvious that the amateur mixing person simply didn’t know this.

A professional mixer has used a compressor for years. Most home recording beginners barely know what a compressor is. I’ve been fighting with compressors for the past 4 years day in and day out. I would say that I’m finally to the point where the compressor isn’t laughing at me. It certainly took a while. The more I learn about compressors, the more I realize that they are the most powerful mixing tool (with exception to the volume fader). There are probably 50 tricks you can do with a compressor. If you aren’t familiar with a compressor, you are lost. You will not be able to mix a great sounding record that translates onto many stereo systems. At least not in the rock, pop genre. If you think you can, I want to hear it.

Compressors can be used to make drums hit harder with more attack or softer with less attack. When mixing, compressors can actually make drums sound closer or far away. Using parallel compression, you can easily bring more live and aggression into your drum sounds. By compressing a room mic, you can control how much reverb is on the cymbals vs the snare drum. Compression can often reduce or even eliminate the need for eq in certain instances.

Most importantly, a professional mixer has tremendous ears, tremendous studio monitors, and a tremendous room. If you are luckily, you have just one of the three. Most people have none. You have to remember that a pro may have mixed 1000 songs or more on his current studio rig. He knows how a kick drum is going to translate to the outside world. He knows what his studio monitors are telling him. I’ve never seen an amateur mixing session ever translate even close when taken out to other speaker systems. The ability to create great sounding mixes comes from experience. If you don’t have experience, impressive tools, impressive ears, and an impressive room you may want to consider hiring a professional mixer for your important project.

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